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History in the Making

Interior of Stockholm City Hall

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Meet a new guest at the Nobel Banquet! When Stockholm City Hall needed to make a complete replica of their lambrequin and canopy, hanging in the so-called Blue Hall, they asked Big Image for help.

A new guest at the Nobel Banquet

One of Sweden's most well-known structures, Stockholm City Hall serves as the location for the annual banquet honoring the Nobel Prize. For the 100th anniversary the City of Stockholm turned to Big Image in order to create an exact duplicate of the lambequin and the canopy hanging in the Blue Hall.

Since the building's completion in 1923, a lot has changed, and it was already announced in the 1990s that the entire lambrequin and canopy needed to be replaced. They intended to look into the viability of producing a copy of the originals using digital printing for the centenary. Then, Ann-Charlotte Backlund, a senior antiquarian at the Stockholm City Real Estate Office, got in touch with Big Image, a company she had previously worked with.

According to Ann-Charlotte, this called for the comprehensive approach that Big Image is known for, including the digital print, the creative working style, and last but not least, documentation and follow-up. All the way there, Big Image is there.

The first step was to cut out a piece of the lambrequin and photograph it. Then the work began to find just the right color and material. Since the fabric looked very different in daylight and the glow of the lights in the evening, it also couldn´t let too much light through. It took a few tests to find the perfect balance between the front and backside.

It was a very exciting process to follow, says project manager Andreas Nilsson.

“This was something we've never done before. At first it didn't match the original at all so we had to try several different methods. I am very impressed with that work, it felt very professional and we could rely entirely on your expertise.”

Flying high with balloons

The next challenge was to try out the material sample in its proper environment, i.e. at the windows that are placed just over twenty meters up in the air.

"Big Image came up with a very exciting idea, says Ann-Charlotte. "They attached the fabric sample to helium balloons that we sent up to the ceiling. Then we could get an experience of what the end result would be like."

In this way, they also avoided the hassle of high scaffolding, which made the project both easier and less costly. Because the Blue Hall is used almost daily, it was important to fit in the short moments it was available.

When it was finally time to take down the originals and assemble the new ones, Big Image only had two weeks. But thanks to all the preparations, there were never any problems, says Andreas.

"It went way beyond expectations! It may not sound so difficult to replace some fabric, but with all the trips it was a very extensive work. Thanks to Big Image's solid preparation, everything went on very smoothly. It felt very safe."

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