Step into Visual Worlds made Together

For the big event International Astronautical Congress in Paris, the Swedish Space Agency wanted to create a pavilion that stood out from the crowd. After the fair, they reused large parts of the pavilion.

Read more about the creative process behind the Avicii Experience, which chronicled the life and career of music prodigy Tim Bergling. An exhibition where emotions are central.

Learn how the set designer Alejandro Andújar in his most recent project at Antonio Bandera’s theatre – Teatro del Soho and the stage design for “Company” integrated the audience with the stage design.

Entering through dripping shampoo makes you walk right into the brand of the exclusive hair care company Maria Nila. ASKA left no detail behind, and Big Image became their creative partner making their wildest imagination come true.

Dive into the creative process when building up the scenery for Jack Kerouac’s novel “On the Road”, ending up in a deserted courtyard surrounded by 10-meter-high walls creating the grasping, almost claustrophobic atmosphere.

How Big Image helped make the craftsmanship of opera house set design modern without losing any sense of quality.

When the internationally celebrated restaurant concept designer Benjamin Calleja finally took on the challenge of creating a restaurant concept for himself, he launched a segment he calls “fast fine pizza”. The first unit of the luxurious pizza place 1889 was placed in the heart of Stockholm. The aesthetic experience was absolutely key but equally important was the ambience coming from acoustics, music and the ability to have a soft conversation over carefully crafted pizzas. In Big Image he found a partner, where he could discuss the aesthetic acoustics needs, and solve the problems as “creative to creative”, instead of “customer to supplier”. The results were both beautiful and sound efficient. So efficient that when opening the next unit less speakers than planned were needed.

For the Cannes-nominated film Habemus Papam (We Have a Pope), Big Image helped bring the Sistine Chapel to life with extraordinary precision. When filming inside the Vatican was impossible, set designer Paola Bizzarri teamed up with Big Image to recreate 1,800 m² of exact colours, perspectives, and dimensions. Every detail was carefully crafted to match the original, transforming Nanni Moretti’s ambitious vision into a setting that feels nothing short of divine.