Step into Visual Worlds made Together

Till den stora rymdmässan i Paris ville den svenska Rymdstyrelsen skapa en paviljong som stack ut i mängden. Efter mässan återanvände de stora delar av paviljongen.

Läs mer om den kreativa processen bakom utställningen Avicii Experience som skildrar musikundret Tim Berglings liv och karriär. En utställning där känslan står i centrum.

Läs om hur scenograf Alejandro Andújar i hans senaste projekt för Antonio Banderas teater – Teatro del Soho och uppsättningen av ”Company”, integrerade publiken med scenografin.

Att kliva in genom droppande schampo är att stiga rakt in i varumärket Maria Nila. ASKA lämnade inget åt slumpen, och Big Image blev deras kreativa partner i att förverkliga även de mest djärva visionerna.

Dive into the creative process when building up the scenery for Jack Kerouac’s novel “On the Road”, ending up in a deserted courtyard surrounded by 10-meter-high walls creating the grasping, almost claustrophobic atmosphere.

How Big Image helped make the craftsmanship of opera house set design modern without losing any sense of quality.

When the internationally celebrated restaurant concept designer Benjamin Calleja finally took on the challenge of creating a restaurant concept for himself, he launched a segment he calls “fast fine pizza”. The first unit of the luxurious pizza place 1889 was placed in the heart of Stockholm. The aesthetic experience was absolutely key but equally important was the ambience coming from acoustics, music and the ability to have a soft conversation over carefully crafted pizzas. In Big Image he found a partner, where he could discuss the aesthetic acoustics needs, and solve the problems as “creative to creative”, instead of “customer to supplier”. The results were both beautiful and sound efficient. So efficient that when opening the next unit less speakers than planned were needed.

For the Cannes-nominated film Habemus Papam (We Have a Pope), Big Image helped bring the Sistine Chapel to life with extraordinary precision. When filming inside the Vatican was impossible, set designer Paola Bizzarri teamed up with Big Image to recreate 1,800 m² of exact colours, perspectives, and dimensions. Every detail was carefully crafted to match the original, transforming Nanni Moretti’s ambitious vision into a setting that feels nothing short of divine.